Stepping out of the Whole Theatre and into the friendly Live Arts Theatre, Ray Nedzel, has directed a wonderful, Virginia Premiere of the Broadway Sensation, The Drowsy Chaperone.
Live Arts - Forging Community and Theatre
The Musical, The Drowsy Chaperone, has already one 5 Tony Awards.
This play has it roots in comedy improv, just like Ray. So it’s a perfect match. And while, currently, Whole Theatre is not be looking to aquire the rights to a big out of town musical, it’s a perfect show for Live Arts and Ray is happily overwhelmed by all the talent working on this show.
Get tickets here: www.LiveArts.org or 434-977-4177
From the Director:
OK. People usually don’t just burst into song. People usually don’t spontaneously dance. But should they?
Marianne Williamson wrote, “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure.” But more on that later.
The Drowsy Chaperone is “a musical within a comedy.” And, really, aren’t we all? I mean, aren’t we all both a divine comedy and a spectacular sensation waiting to take over. I mean, life’s a funny thing; but it’s better with music.
And it’s better with dance. And it’s better with friends.
The Drowsy Chaperone started in Toronto in 1997 as a spoof of 1928 musicals. It was first performed, in a much shorter skit-like format, as a gift at the bachelor party of Bob Martin. It was just a bunch of friends, performers and goofballs poking fun at each other and the world of theatre. Nearly nine years (and countless rewrites) later, those friends turned that skit into a show, took that show to Broadway, and won five Tony Awards in 2006.
Along the way the show became a gem. And, I think it did because it’s funny, because it’s very musical, because it doesn’t take itself too seriously, and because it is full of friends – real and imagined.
The Drowsy Chaperone, as you’ll see it tonight, is still a spoof of musicals (1928, by the way, holds the record for the most Broadway openings). But it’s also a funny little story of hope. A little pick me up, for when you’re feeling blue.
What if, what if we had the power to bring our dreams to life? What if we had the confidence to dance full tilt? What if we had the strength to look our loved ones in the eyes, and sing?
That, to me, is the American Musical. And that is powerful beyond measure.
So, as you stumble along, as you walk down the street and see someone burst into song, don’t think to yourself, “that dude must be crazy”; rather, sing out loud. “Climb Every Mountain!” “Dream the Impossible Dream!”
Good Good Trouble on Bad Bad Island Written by Josh Mikel
June 1-5 Babcock Theatre, Sweet Briar College
Written for young audiences by Endstation’s resident playwright, Josh Mikel, this original play debuted at the New York International Fringe Festival in 2010 and is coming into a school near you. A bad, bad Idol challenges good, good Rosa with a series of impossible tasks — but what happens when she starts doing the impossible?! This wildly inventive adventure finds that sometimes family and good goodness can be found in the most unlikely of places.
Cry of the Mountain Created by Adelind Horan
June 9-12 Babcock Gallery, Sweet Briar College
Endstation is proud to host Charlottesville’s Whole Theatre and their original production of Cry of the Mountain. This one-woman show, which was conceived and is performed by the talented Adelind Horan, tackles the complex issue of mountaintop coal removal in the Appalachian Mountains. Accompanied by live music, Adelind potrays 13 individuals impacted by mountaintop coal removal that she personally interviewed in Appalachian coal country.
Assassins Book by John Weidman
Music & Lyrics by Stephen Sondheim
June 22 – July 3 Babcock Theatre, Sweet Briar College
This most American of musicals lays bare the lives of nine infamous historical figures, who forged their way into our history books for their assassinations (or attempted assassinations) of some of our American presidents. Assassins explores the American experience in profound and startling ways, with a musical score by one of the most accomplished musical theatre composers, Stephen Sondheim.
Twelfth Night
Written by William Shakespeare
July 9 -24 Sweet Briar College Grounds
Commonly regarded as Shakespeare’s best comedy, this hysterical play is filled with mistaken identities, romance, and a little cross-dressing. Endstation will stage this hilarious comedy at Sweet Briar’s old train station, utilizing a stunning mountain vista as its backdrop. Each night, audiences will enjoy a beautiful sunset while watching the tale unfold.
Addie and Ray were interviewed by Sandy Hausman ( Charlottesville Offices of Radio IQ/NPR) for a news segment during the week and a short feature peice for Weekend Virginia.
July was fun. A freakin’ total sell out. Each show in July sold out. Even the extra show added, sold out.
Well, we know we’re not Dave Matthews, but we also understand that more shows are required. So, look for in September, most likely at the Hamner Theatre and maybe elsewhere too.
Go see, 13 at Live Arts; go see Alice in Wonderland at Four County Players; go see the cabarets and other things at The Hamner Theatre; and get ready for Yankee Tavern at Play On.
Here’s the deal. Go to Play On! now, and get tickets.
Because this is the last show of the summer and if you miss it, and all your cool friends are talking about it, all you will be able to say, is oh, yeah, I really wanted to go to see that show, but i didn’t get tickets and then every show was sold out and I’m so bummed.
Great time to get tix for other upcoming shows at Play On too:
before writing the waltons, earl hamner was drafted in 1943
Well, we can’t say for sure, yet; but since the first two shows have sold out, even after squeezin’ in more chairs…. we’d recommend gettin’ your Hamner tickets now. Click the image to the right.