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Cry of the Mountain in Greenbelt

Reel & Meal at the New Deal Café – Greenbelt

A free monthly series exploring vital social justice, environmental and anmimal rights issues

September 17, 2012

New Deal Café
113 Centerway
Roosevelt Center
Greenbelt, MD 20770
301-474-5642

Cry of the Mountain

a documentary play from Appalachia about the people who live with MountainTop Removal

One woman, 13 characters and a banjo. Real stories from America’s coal fields. Verbatim. Coal miners, mining executives, mountaineers, hillbillies and protesters. Bluegrass music and cookies at every show.

Mountaintop removal is blowing up the mountain to get the coal underneath. ‘It’s like going to the barber for a hair cut, and having him cut off your head, shoulders and chest.’

‘It’s like Anna Deavere Smith … with a banjo’ (NPR)
‘Adelind Horan is a fantastic talent!’ (Daily Progress)
‘Comparisons to the early stage work John Leguizamo are inevitable’ (C-ville Weekly).

This is wonderful, simple, powerful and true piece of theatre/performance art, in which Adelind portrays those involved with and affected by Mountaintop Removal in Appalachia. The characters are performed verbatim from interviews conducted last summer while volunteering with coal related clean up in West Virginia and Kentucky. Miners, mining executives, mountaineers, environmentalists, scientists, hillbillies and protesters.

Dirty Barbie: Happy Preview Day One

Ray says… Good day one preview.

Well, we were working the Royal Mile, papering the house a bit, when we got a phone call from the Press Office that the Scotsman (the top newspaper in Scotland) wanted to send a reviewer today. Dee and I thought we should say yes, even though we hadn’t had time for a run in tech (long repair on damaged projector — damn you Air France.)

At bottom of page, another delightful surprise. (fringe top tips)

And the show when great. Dee Dee was a pro from day one. And we were just over half full, including a man who graduated from UVA some 25 years ago (and his family). So here’s a bit of the excitement after a successful, out of the gates running, first preview:

Oh, so and then, someone on the street tells us that Dirty Barbie was a top pick of the Daily Record — maybe the top pick. Read the article here:

So, see it was a good day.

Dirty Barbie Preps for Tech at Fringe

Dirty Barbie rolls up, literally in front of the wonderful Fringe venue, Ballie Room at Assembly Hall.

Here’s a quick snippet with one of the many faces of Dee Dee hanging around town.

Dirty Barbie in NYC

Dirty Barbie and other girlhood tales will make it’s NY debut as part of the East to Edinburgh Festival at 59E59.

This is a great chance to see some wonderful shows in July, in NYC, each headed to the Edinburgh Fringe — the world’s largest theatre festival in August, in Scotland

Here’s the full line up.

JUL 10 – JUL 29
59E59 Theaters presents

EAST TO EDINBURGH 2012

EAST TO EDINBURGHreturns to 59E59 with sixteen new shows on their way to the Edinburgh Festival Fringe – catch them here, before they cross the pond!

DIRTY BARBIE AND OTHER GIRLHOOD TALES

In 1978, a mother, newly widowed, moved her family from the wide, open spaces of Wyoming to a tiny town in North Carolina. Spinning tales on scarlet fever, scotch over ice and girls gone wild, DeeDee Stewart puts the ‘fun’ back in dysfunctional.

$15 (59E59 MEMBERS $10.50)
July 10, 11, 12, 14 at 9

Buy tickets for DIRTY BARBIE AND OTHER GIRLHOOD TALES here

MICHAEL POPE IS GAY FOR PAY
Pope’s stranger than fiction tale of a mystery job in the Empire State Building and discovering himself to be the world’s greatest phone sex operator – a rollercoaster ride of absurdity, obscenity and the true spiritual meaning of ‘nothing left to lose’.$20 (59E59 MEMBERS $14)
July 10, 11, 14 at 7

Buy tickets for MICHAEL POPE IS GAY FOR PAY here

LISTEN! THE RIVER
A tough-talking cat, a one-eyed dog, a reluctant fiancé, his sexy betrothed and a bible-toting mother flow through this story of love, loss and new beginnings.

$15 (59E59 MEMBERS $10.50)
July 12, 13 at 7; July 15 at 4

Buy tickets for LISTEN! THE RIVER here

MADE FOR EACH OTHER
What kind of man proposes marriage on the first date, and what kind of man says ‘yes’? Gay marriage meets Alzheimer’s in this uplifting and funny drama about sex, love, and the power of memory.

$18 (59E59 MEMBERS $12.60)
July 13, 27 at 9; July 15, 18 at 7

Buy tickets for MADE FOR EACH OTHER here

CAPTAIN FERGUSON’S SCHOOL FOR BALLOON WARFARE
Inspired by true events surrounding WWI, this solo-performance chronicles the patriotism and misguided genius of U.S. Army Capt. Thomas Ferguson.

$18 (59E59 MEMBERS $12.60)
July 14 at 2; July 20 at 5

Buy tickets for CAPTAIN FERGUSON’S SCHOOL FOR BALLOON WARFARE here

I HEART HAMAS: AND OTHER THINGS I’M AFRAID TO TELL YOU
Join Jennifer on auditions, bad dates and across military checkpoints as she explores becoming Palestinian-ized, then politicized and eventually radicalized in this fresh, often funny, searingly honest show.

$20 (59E59 MEMBERS $14)
July 14 at 4; July 15 at 2

Buy tickets for I HEART HAMAS: AND OTHER THINGS I’M AFRAID TO TELL YOU here

EAT $H*T: HOW OUR WASTE CAN SAVE THE WORLD
The Puru plunges the depths of our constipated culture. Brown’s the New Green in the show that’s changing the world one flush at a time!

$15 (59E59 MEMBERS $10.50)
July 17 at 7; July 22 at 4

Buy tickets for EAT $H*T: HOW OUR WASTE CAN SAVE THE WORLD here

CLOONEY, COWELL, PITT AND ME: AMUSING ENCOUNTERS WITH THE A-LIST
Ever wondered what the biggest stars in Hollywood are really like? Find out from the man who has met them all, in this rollicking one man show from leading British entertainment reporter Sandro Monetti.

Watch the trailer here!

$12 (59E59 MEMBERS $8.50)
July 17, 18 at 9; July 21 at 2

Buy tickets for CLOONEY, COWELL, PITT AND ME: AMUSING ENCOUNTERS WITH THE A-LIST here

DEAD MAN’S CELL PHONE
A dead man! His ringing cell phone! Pulitzer Prize finalist Sarah Ruhl’s Dead Man’s Cell Phone takes up our mundane capacity to connect in a world a-twitter with technology.

$15 (59E59 MEMBERS $10.50)
July 19, 20 at 7; July 21 at 4

Buy tickets for DEAD MAN’S CELL PHONE here

DIRTY PAKI LINGERIE
Sex, Religion, and Politics collide as six Pakistani-American Muslim females air their dirty lingerie… ‘Breaks down stereotypes of Muslim women in America’ – The Wall Street Journal

$20 (59E59 MEMBERS $14)
July 19, 20, 21 at 9

Buy tickets for DIRTY PAKI LINGERIE here

MOD
Fab! Irreverent! Totally Groovy! Original musical rocks 59E59 Theaters. Inspired by the British pop of the early 1960s. Teen angst set against the backdrop of the Beatles’ invasion of America.

$20 (59E59 MEMBERS $14)
July 21, 22, 26, 27, 28, 29 at 7

Buy tickets for MOD here

A MAN FOR ALL TIMES: W.E.B. DU BOIS
Martin Luther King. Remembered. Revered. W.E.B. Du Bois, a major Civil Rights Activist, largely forgotten. Pulse Theatre remedies this with this inspiring drama.

$20 (59E59 MEMBERS $14)
July 22 at 2; July 24, 25 at 7

Buy tickets for A MAN FOR ALL TIMES: W.E.B. DU BOIS here

TENDERPITS
From the creators of FringeNYC 2009 Outstanding Solo Show Art’s Heart, Tenderpits is the incredible 100% half-true story of a young wizard’s immigration from the wilderness of Canada to New York City.

$18 (59E59 MEMBERS $12.60)
July 24, 25, 26 at 9

Buy tickets for TENDERPITS here

DEATH BOOGIE
Death Boogie is a multimedia Hip Hop Poetry Musical that follows the fictional story of Victor Spartan, a blue collar worker who lives a comatose lifestyle by day and at night, hears the poetic sounds of revolution.

$12 (59E59 MEMBERS $8.50)
July 28 at 2

Buy tickets for DEATH BOOGIE here

VARIETIES OF RELIGIOUS EXPERIENCE
Inspired by a study showing that hallucinogenic mushrooms can effectively treat obsessive compulsive disorder, award-winning standup Adam Strauss embarked on a program of vigilante psychopharmacology.

$12 (59E59 MEMBERS $8.50)
July 28, 29 at 4

Buy tickets for VARIETIES OF RELIGIOUS EXPERIENCE here

3 BY POE
Three superb horror stories with a common theme – revenge! Cask of Amontillado and Tell Tale Heart are performed by the murderers; Hop-Frog, by Poe himself.

$12 (59E59 MEMBERS $8.50)
July 28 at 9; July 29 at 2

Buy tickets for 3 BY POE here

$12.00 (59E59 MEMBERS $8.50)

$15.00 (59E59 MEMBERS $10.50)$18.00 (59E59 MEMBERS $12.60)$20.00 (59E59 MEMBERS $14.00)

Five More Shows: Theatre at Traverse

Well, we just wrapped the Charlottesville shows – and each one was Sold Out.

Dee Dee, Chris Baumer, and I spent Sunday morning cleaning out the theatre, reception room, and rooftop patio at Live Art where last night we hosted a very special night — made even lovelier by Kathy Doby and all her wonderful catering vision. If you missed it, you missed it.

Any way….

The next chance to see Dirty Barbie before Scotland is in NYC at the 59E59 East to Edinburgh festival.

This is part of a festival that only features show that are confirmed to go to Edinburgh.

DIRTY BARBIE AND OTHER GIRLHOOD TALES
$15 (59E59 MEMBERS $10.50)
July 10, 11, 12, 14 at 9

Now, let’s take a look a what The Traverse Theatre has on in August in Edinburgh. Why focus on one theatre. Well, the Traverse Theatre, a permanent Edinburgh theatre, has proven over the years to be the best collection of Theatre. See, there are many categories of performance at the Fringe: Theatre, Comedy, Physical Theatre, Musical, Solo, Verbatim, etc. And for really good theatre, a great place to start is The Traverse Theatre:

BLINK

This is the tale of Jonah, Sophie, and a fox called Scruffilitis. It’s a love story. A dysfunctional, voyeuristic and darkly funny love story, but a love story all the same. A new play by Bruntwood Playwriting Prize winner Phil Porter, Blink is an exciting collaboration between Soho Theatre – London’s most vibrant venue for new writing, comedy and cabaret – and internationally acclaimed, Fringe First winners Nabokov.

As of 1.52pm GMT on Friday April 27th 2012, This Show Has No Title.

Another Show by Daniel Kitson? I know, you know, but he’s just a lovely story teller/performer/comedian, so maybe I have a little crush, but I bet the show will be worth putting on your list.

BULLET CATCH

A stunt so dangerous Houdini refused to attempt it, the Bullet Catch has claimed the lives of at least 12 illusionists, assistants and spectators since its conception in 1613. Now, with a little help from his audience, modern-day marvel William Wonder presents a unique theatrical magic show featuring storytelling, mind reading, levitation, games of chance and, if you’re brave enough to stay for it, the most notorious finale in show business. ‘Profound … hugely entertaining.’ **** (Herald). **** (Scotsman).

MORNING

One of the great things about the Fringe is the overwhelming abundance of World Premieres.Here’s one from Lyric in London:The end of summer. Two friends about to go their separate ways. But they will always share that one moment. A moment changed them forever.

The world premier of a dark new coming of age play by acclaimed playwright Simon Stephens (Pornography, Sea Wall, Punk Rock); Lyric Hammersmith Artistic Director Sean Holmes (the Olivier award winning Blasted, Saved, Ghost Stories) and performed by the Lyric Young Company.

ALL THAT IS WRONG

Good title, nice image and the description of this show from Belgium contains a reference to “Barbies.”

In Once And For All, she burned Barbie dolls and analysed what others were thinking. In Teenage Riot she gave tips to become like a bag of bones and looked at adults as caged animals. Koba Ryckewaert is now eighteen and she knows all sorts of things are wrong in the world. She just needs to get a grip on them. She’s better at writing than at talking, so she draws. On the floor. Starting with herself. No lover, so: Lonely. Loneliness brings boredom. Being bored can be solved with money, e.g. for a better computer. But the money’s not there: mother unemployed, due to: economic crisis. And what could she do to resolve it? Neither everything, nor nothing. In All That Is Wrong, Koba faces things alone. But she makes choices. Only to stick to them.

Wellllll….. there’s 5 more to see at the Festival. But the best thing to do is go to the site, go grab a Fringe Guide, page through and take a chance on something that to you looks good.

Getting ready, getting excited,

Ray

Five More Shows to See

Hiya again, Ray here.

One of the best things about this wonderful festival we are going to in August, The Edinburgh Festival Fringe, AKA THE FRINGE, is that over 2000 shows play each and every day. The shows are from all over the world. Therefore it is a chance to take a chance on shows you’ve never seen before and likely will never have a chance to see anywhere else.

Here’s five I know nothing, or very little, about; have not seen before, but am willing to take a chance on this August.

First, as a regular beet, I’ll tell you where you can next see:

DIRTY BARBIE AND OTHER GIRLHOOD TALES — which is this week at Live Arts.

Dirty Barbie and other girlhood tales

Live Arts, Charlottesville Virginia

123 East Water Street

June 20-23: 8PM

[Click Here for more Info]

And there are still tickets available for the super, fancy pants, benefit — the way to see the show, have free drinks, have it catered, have a dance party and see for the first time, 20 minutes of new work by the creator/performer of Dirty Barbie, Dee Dee Stewart.

So, now five more to take a calculated risk on at THE FRINGE:

Hi-Kick

From Korea. But tell me this, when is the next time you get to see a comedy dance troupe from Korea? Never.

So, I’d say this by the mere fact of wow, I’ll never have another chance to see comedy dancers and football (soccer) on the same stage — and have the troupe be from Korea — that this is one thing worth the time and the pounds (dollars).

And speaking of dance/physical theatre…

Africa Calling

I didn’t get a a chance to take a chance on this troupe last year — they sold out their shows before I could get a ticket. This show says, “The grassroots are back following the success of their sell-out show at the Fringe 2011. Traditional Zimbabwean dance, music, rhythm and song – the greetings reaffirming friendship and warmth of community. In Africa everyone is almost related to someone, and meeting family is a cause for celebration! Grassroots brings a vibrant fusion of irresistible movement and beautiful melodies, giving a life-enhancing experience of the culture and exuberance of Zimbabwe. Grassroots is a theatre-for-development company from Bulawayo, Zimbabwe, specializing in using dance, drama and music for positive change, aiming to reduce poverty through education.”

So while I’m dancing….

Cadillac

From Poland. Which I have a soft spot for, having great-grandparents from the motherland, and having never seen a bad show at the Fringe that was from Poland. I don’t think this will be the first.

Read about it: “The performance is a lottery show, similar to the Wheel Of Fortune, where you can win the main prize. The rules are simple – everyone who buys a ticket and takes part in the lottery has a chance to win the Cadillac. Is this a fair game? Would you ask such questions when there is a priceless and attractive Cadillac within your grasp? Cadillac is a performance about the blind lust for wealth, love, power and other attributes associated with happiness. A work about the ‘money-grabbers’ who know how to generate this demand and use it to serve their own purposes.”

Maybe next week I’ll feature all shows from/about Poland. But for now let’s stick with dance/physical theatre….

Hang Man

I saw these cats in 2007 on the recommendation of John Gibson, a Fringe/Theatre guru. This may be my first choice for dance/physical theatre since I was blown away by their performance then.

“The legendary Do-Theatre, one of the most influential experimental theatre companies to emerge from post-Communist Russia, returns with one of the must see Fringe First winners from 2007. Hangman is a game and the personage in one. A trinity of the damned – the blind, deaf and dumb – performs a dance macabre of crime and punishment where the roles of victim and executioner are constantly swapped. It’s a fusion of theatrical and dance form, combines elements from the Theatre of the Absurd and contemporary dance. The naivety of clown farce is enriched by the charming use of Black Humour.”

Well, one last recommendation today, and that leaves dance and goes to puppetry.

Sammy J and Randy — The Inheritance.

Sammy J and Randy with the Inheritance at the Fringe

These two have become over the years, Fringe perennial favorites. Funny irreverent multi media ventriloquism.

“Now, a brand new adventure from everyone’s favourite multi award-winning, toe-tapping, song-singing, Hep-C-riddled duo! When Randy discovers he is heir to an enormous fortune, he seeks to reclaim his rightful throne. Will Sammy J stand in his way? Probably. Winners of Best Show at the Melbourne Comedy Festival. Creators of the 2011 Fringe hit Ricketts Lane. ‘The best skinny-man purple puppet double act in the world right now’ (FringeReview.co.uk). ‘Sammy J and Heath McIvor are fiendishly talented writers and performers’ (Scotsman)”

Well, that’s 5. A few chances. A few promises. Check them out. Of course after scheduling your trip to see Dirty Barbie at Assembly Hall.

More choice choices next week.

Ray

What to See When Your Seeing Shows

Hi-ya!

This is Ray here, and I want to start telling you about some great shows to see (5 shows at a time – other than, of course the show you must see, Dirty Barbie) as we work our way through the summer toward August in Edinburgh.

Well, wait, not 5 shows: 6 shows, and a fundraiser. Because before you do anything else, you need to buy a ticket to the First Ever Nation Ladies Arm Wrestling Championship: SUPER CLAW. It all started here in Charlottesville, Jennifer Hoyt Tidwell and a cast of crazy, talented, artistic, community leading women.

SuperClaw

Get your Dirty Barbie Fringe tickets here, now, learn more, etc.…

Well, first, I know that not everyone can make it to the Edinburgh Festival Fringe – the worlds largest theatre festival with over 22-Hundred shows to see each day.

Selection can be tough; opportunity cost can be high. So, why not catch Dirty Barbie as she prepares to go to Scotland. Next lucky dates/times/places are:

Dirty Barbie and other girlhood tales

Live Arts, Charlottesville Virginia
123 East Water Street
June 20-23: 8PM

[Click Here for more Info]

Well, while we’re on Live Arts, here’s other show number 1 to check out:

1. Jane Scatena and the Big Band, Strictly Taboo

What’s great about this show? Well, Jane and the Band to name two. Jane played Drowsy, in the Virginia premiere of The Drowsy Chaperon and was fantastic. Her big band swings like mad cats. AND, with your ticket you get a FREE Swing Dance Lesson from the best Swing Dance Teacher in Charlottesville, Kristin Wenger. Just go to the link above for more info.

OK on to the Fringe.

2. Camille O’Sullivan: Channeling

I have seen Camille the past three years at the Fringe and she is fantastic. Last year she was performing right beside us. (Of course we were in one of the smallest theatres and she was in one of the biggest). Camille brings a sultry vampy Kurt Weil meets Kurt Cobain energy to her show. She’s a wonderful singer who turns it, and the audience, on.

3. Daniel Kitson: Where Once Was Wonder by Daniel-Kitson

Daniel Kitson is likely one of the best writer/story tellers of our generation. I have seen his new show yet, but you know I will. He’s a stand up comedian, yes. He’s a man of passion, yes. He’s got life’s big picture and life’s small nuance, yes. In each of his previous shows I have laughed out load with the entire audience and left truly move by his words.

Speaking of Laughing, you want to laugh?

4. Jason Byrne: People’s Puppeteer

Jason Byrne is an Irish comedian who I have only seen live twice. He packs the house – often very big houses – and somehow manages to make the audience feel at home, like it’s just a small show in your living room. He’s funny, cause he talking to a new group each night. Promise you laugh.

And why not stick with funny men who handle themselves on stage so professionally.

5. Jimmy Carr: Gagging Order

Jimmy looks and acts like a complete gentleman, and he has also told the most offensive joke in history. You’ll have to Google it to find out, unless they have removed it. He’s funny, and if you’re from England you know, but if like me you’re from America, you likely haven’t heard of him. Well, it’s a Google world, so find out for your self and go see Jimmy.

Well, there are shows to see. 5 more next Sunday. And, even though I love comedy, and Denise’s show is very funny. Next week: Something different.

See you in the theatre.

Ray

Dirty Barbie Broadcasting Telethon Live

We are on a quest to get 30 people to donate 35 people to donate 30 dollars by midnight tonight.

And if you want to watch live, well, why not, it is the 80’s afterall:

Or click here:

http://www.ustream.tv/channel/whole-theatre

See you soon.

Greetings Frenzies 2012

Greetings Frenzies, Greetings Frenzies 2012

I’m Louise and while I’m not a Script Frenzy ML, I’m one of the NaNoWriMo MLs who is sticking her tentative toe into scriptwriting this year. I’ll be helping Ray with the C’ville Script Frenzy and acting as the WH representative.

First of all, what is Script Frenzy?
From their website:

Script Frenzy is an international writing event in which participants take on the challenge of writing 100 pages of scripted material in the month of April. As part of a donation-funded nonprofit, Script Frenzy charges no fee to participate; there are also no valuable prizes awarded or “best” scripts singled out. Every writer who completes the goal of 100 pages is victorious and awe-inspiring and will receive a handsome Script Frenzy Winner’s Certificate and web icon proclaiming this fact.

Even those who fall short of the page goal will be applauded for making a heroic attempt. Really, you have nothing to lose—except that nagging feeling that there’s a script inside you that may never get out.

I can tell you from my NaNoWriMo experiences (2007-present) that this sort of endeavour is a great deal of fun and having a social group to share it with makes it ever better!

We’ll be hosting “writeins” at WriterHouse and Live Arts throughout the month which I would encourage everyone to check out, literally a place and time to meet up, write, talk and work on our scripts. If you work better alone, that is absolutely fine, feel free to use the writein time to ask advice, opinions or give it to others who might be struggling. Or not, it’s all good and whatever gets you to 100 pages, that’s all that matters!!

First of all, if you haven’t already, you need to make an account on www.scriptfrenzy.org If you have participated in NaNoWriMo, then you already have one and can log in using your NaNoWriMo username and password. Ray awesomely got us our own region: USA::Virginia::Charlottesville (http://www.scriptfrenzy.org/eng/node/4167710), make sure to set it as your home region. There is a Google calendar there listing currently scheduled writein dates and a forum for us. Once you join the group, Ray can send emails to the participants in the region through the Script Frenzy website.

Writein dates scheduled:

Join all of us for the kick-off party at WriterHouse (508 Dale Avenue in Charlottesville, behind Bodo’s on Preston Ave.) Sunday, April 1st at 2pm to meet your fellow Frenzies and get a head-start on your page count. After that, scheduled Write-Ins are divided between Live Arts (123 E. Water Street) and WriterHouse:

Tuesday April 3rd – Write-In @ WriterHouse 7pm – 9/9.30pm
Monday April 9th – Write-In @ Live Arts 6.30pm – 9.30pm
Thursday April 12th – Write-In @ WriterHouse 7pm – 9/9.30pm
Tuesday April 17th – Write-In @ WriterHouse 7pm – 9/9.30pm
Monday April 23rd – Write-In @ Live Arts 6.30pm – 9.30pm
Thursday April 26th – Write-In @ WriterHouse 7pm – 9/9.30pm
Monday April 30th – the FINAL Write-In @ WriterHouse 7pm – MIDNIGHT
You can absolutely start writing beforehand, at 12.01am on Sunday April 1st!

We have a Twitter group: https://twitter.com/#!/cvillefrenzy and we’re in the process of setting up a blog as well, please look out for future information on that!

If you have any questions, please ask me (Louise- loulabellum@gmail.com) or Ray (rayrayman@gmail.com) and we’ll help you as best we can.

Good luck Frenzies! See you in April!

24/7 Rocks Again (Jan 2012)

Well, we packed em in again, and had a very fun night for everyone. January 28, 2012. Here’s the details:

Theme: Wait For It!

The shows, directors, casts: (photos by bud branch)

The Body

By: Matthew Minnicino
Directed by: John Holdren
CAST (in order of appearance)
Chris Baumer
Gavin Rohrer
Dannika Lewis
Mitch Voss

Wait For It

By: Kate Monaghan
Directed by: Gary White
CAST (in order of appearance)
Martyn Kyle
Kara Dawson
Brad Frazier
Tim McNamara

This Is No Hello

By: Mendy St. Ours
Directed by: Dorothy Kohlligian
CAST (in order of appearance)
Chris Baumer
Shawnna Pledger
Michael Durland
Amy Barrick

Reign: The Musical

By: Edward Warwick
Directed by: Marianne Kubik
PIANO: Kip McCharen
CAST (in order of appearance)
Marty Moore
Leslie Baskfield
Dale Marshall
Chris Baumer

Put a Shirt Over My Face

By: Ty Cooper
Directed by: Kerry Moran
CAST (in order of appearance)
Steven Levine
Larry Goldstein
Edwina Herring
Sara Shotwell

Served

By: Sean Hirabayashi
Directed by: Tracie Skipper
CAST (in order of appearance)
Claire Chandler
Chris Estey
Emma Duncan
Katy Walker
Kate Tooley

Measured in Dog Years

By: Karen Ratzlaff
Directed by: Fran Sackett
CAST (in order of appearance)
Sara Holdren
Phil Hurst

And the amazing Crew:

Producer & Host……………….……Ray Nedzel
Technical Director…………………Will Slusher
Stage Manager……………….……..Kristin Wenger
Sound Design & Operator..…….Peter Fish
Light Design……………………………Heather Hutton
Light Assistant………………………..Joe Monaghan
Costume Design……………………..Amy Goffman
……………………………………………..Linda Zuby
Costume assistant…………………..Jacquie Bay Slusher
Props Design….……………………….Lisa Grant
……………………………………………..Abigail Wiebe
Light Board Operator……………..Bob Button
Running Crew…………………………J. Stoll
…………………………………………….Mike Ustica
Box Office ……………………………..Charlotte Drummond
……………………………………………..Ernie Reed
House Managers…………………….Michael Swanberg
……………………………………………..Tom Raney
…………………………………………….Leo Arico
Concession Managers…………….Si Becker
…………………………………………….Ruth Becker
Utility Player………………………….Peter Gunter